Intellectual Property Insights from Fishman Stewart
Mini Article – Volume 22, Issue 17
Share on Social

Artificial Intelligence Resurrects Val Kilmer’s Voice for ‘Top Gun: Maverik’
By Art Hallman
Top Gun: Maverik has dominated the box office this summer, surpassing $1.37 billion globally, and has become Tom Cruise’s highest grossing movie of all time. To the delight of Top Gun fans, Val Kilmer returned as Tom “Iceman” Kazansky.
Kilmer’s health has been in the headlines for years and, sadly, he lost his ability to speak after battling throat cancer. But for his return to the big screen, Kilmer partnered with the London startup Sonantic to digitally recreate his voice. Sonantic is a voice synthesis company that uses an artificial intelligence engine to create expressive and realistic artificial voices.
Sonantic generates voice models by feeding its proprietary algorithms with hours of archival footage of specific individuals speaking. However, a substantial portion of the available archival footage of Kilmer was off-limits due to licensing issues. This left Sonantic with a suboptimal amount of footage to feed into the existing software to create Kilmer’s model. To compensate, Sonantic developed new algorithms capable of generating a better-quality voice model with the limited amount of available footage. Then, Sonantic generated multiple voice models and selected the model that most closely mimicked Kilmer’s voice. The result was a voice model with the capability of creating completely new dialogue with emotional expression, inflection, and nuance—which is a giant leap from the mixed-tape method of stitching together existing recorded dialogue clips.
Kilmer’s collaboration with Sonantic raises several intellectual property concerns. For instance, who owns Kilmer’s recreated voice? Kilmer? Sonantic? No one? Can Kilmer prevent Sonantic from using his cloned voice in other content? Can Sonantic or Kilmer prevent other parties from appropriating or copying the cloned Kilmer voice? How much say should Kilmer and Sonantic each have in the use of the cloned voice going forward?
Currently, there are no federal or state laws that directly address the simulation or recreation of an individual’s voice by A.I. It is unclear whether, or how, existing legal theories, like copyright law and publicity rights, might apply to the use or misuse of artificially cloned voices. Additionally, the proliferation of A.I. voice cloning has already led to sophisticated criminal activity—like a $35 million bank heist in 2020—and a $240,000 fraud scheme. Also, some uses have raised ethical concerns—like the posthumous cloning of Anthony Bourdain’s voice in a documentary film to speak a few sentences the late celebrity chef wrote, but never said aloud.
As A.I. continues to drastically evolve, political pressure is escalating for Congress to modernize intellectual property laws to keep pace with technological advancements. Progress is slow when it comes to intellectual property law, and there is no certainty that meaningful reform will occur anytime soon. Until legislation catches up, parties should carefully draft and review contract and licensing provisions regarding the ownership and control of voice models at the outset of a project.
Art Hallman is an associate attorney at Fishman Stewart and practices in the fields of patent, trademark, copyright, and trade secret law. Before attending law school, he worked as an engineer in the oil field service industry and the automotive industry. He holds an B.S. degree in electrical engineering and an MBA.
Published August 25, 2022
Related Content from Fishman Stewart
Generally, federal courts have exclusive jurisdiction over copyright cases, and often, this presents an insurmountable paywall for individual artists and small businesses to vindicate their rights, especially where the value of the individual copyrighted works are relatively low.
Dedicated to raising public awareness about the importance of encouraging innovation and creativity throughout the world, the World Intellectual Property Organization (WIPO) annually observes World Intellectual Property Day on April 26 to showcase the role that patents, trademarks, industrial designs, copyrights and trade secrets play in our everyday lives.
Hold onto your foam fingers, sports fans – college sports just got a whole lot more interesting! The latest updates to Name, Image, and Likeness (NIL) rules are making student-athletes bigger than ever, and it’s not just about the game anymore.
Did a federal court in Louisiana recently decide that US copyrights are global rights? It seems so.
One of his most famous songs, “Lose Yourself” was recently at the center of a lawsuit. In 2019, Eminem’s publishing company Eight Mile Style sued Spotify claiming that Spotify streamed a number of its musical compositions without proper licenses.
One of the most common challenges is whether AI should be free to train on data that is protected by copyright and owned by third parties without first obtaining permission.
The U.S. Copyright Office (USCO) recently published its latest report on AI and “copyrightability.” In short, the USCO considers only some AI-generated works to be sufficiently creative as to deserve copyright protection, and thus, registration.
Back in the 1940’s assignments by independent contractors could be permanent and irrevocable. Things changed in 1976, when Congress overhauled the Copyright Act.
Generally, copyright protects the specific expression of ideas, such as the arrangement and presentation of visual elements, but it does not protect general concepts or styles.
In the age of the internet, memes are a universal language. A meme is a piece of content, typically an image, video, text, or a combination of these, that spreads rapidly across the internet, often with humorous, relatable, or satirical undertones.
IDENTIFYING, SECURING AND ADVANCING CREATIVITY®
