The Death of Winnie-the-Pooh (As We Knew Him)

Winnie-the-Pooh began life in 1924 as Edward Bear in the 1924 story When We Were Very Young. He was the brainchild of author A. A. Milne and brought to life by illustrator E. H. Shepard. Milne developed Winnie-the-Pooh’s identity and story in his 1926 book Winnie-the-Pooh. The copyrights in those 1926 and prior works have expired, and the stories and characters in them have fallen into the public domain. However, the copyrights in the post-1926 works, including those developed by Disney, will remain under copyright protection for a few more years.  Disney licensed film and other rights from Milne’s estate in the 1960s and expanded the Winnie-the-Pooh world in movies, books, games, and merchandise. Disney first released its adaptation of Winnie-the-Pooh in 1966, and that version of Pooh will remain under copyright protection for several more decades.

Since Milne’s original Winnie-the-Pooh story and its original characters fell into the public domain six months ago, many have taken full advantage of the ability to create new works, publish, distribute, and otherwise use those works without the need to first obtain a license or permission from the once copyright owner. Pooh has already appeared in a Mint Mobile commercial featuring actor Ryan Reynolds.

Winnie-the-Pooh and Piglet are also set to star in an upcoming live action horror film titled Winnie the Pooh: Blood and Honey. The film’s writers have reimagined Pooh and Piglet in a world where Christopher Robin has grown up and gone to college, leaving them to fend for themselves. A starving Pooh and Piglet have reverted to their natural states, hunting prey to survive. Poor Eeyore! A reunion with Christopher Robin leads to rage and a murderous rampage.

Navigating the right to use Milne’s characters without infringing existing intellectual property rights will undoubtedly be challenging. The copyright to A.A. Milne’s original story and characters are in the public domain, however, the characters and stories introduced after 1926 are not. Tigger was introduced in the 1928 book The House at Pooh Corner, and he still remains under copyright protection.

This patchwork of public domain material and copyrights creates a minefield for anyone trying to create a coherent storyline while not infringing a third party’s rights. The filmmakers of Winnie the Pooh: Blood and Honey acknowledged this challenge in a recent interview with Variety. In Winnie the Pooh: Blood and Honey, Pooh wears red lumberjack clothing; a likely homage to the red t-shirt Pooh first wore in a 1932 Parker Brothers board game, and included in Disney’s interpretation of the character.

To complicate matters further, Disney holds trademark registrations for WINNIE THE POOH for movies, books, video games and a wide variety of Pooh-themed merchandise. The title of a single creative work, such as a movie, may not infringe another’s trademark rights. However, using Winnie-the-Pooh for a series of movies, or other creative works, and selling merchandise associated with the works may create conflict.

Some view the appearance of Winnie-the-Pooh in a slasher film in horror. Some look forward to the new creativity that Pooh will generate for decades to come. We will get our popcorn ready while we wait and see if Disney, or any other rights holders, bring legal challenges.

Published June 10, 2022